Eminem’s The Death of Slim Shady (Coup de Grâce) enters the Billboard 200 at No. 1 this week (chart dated July 27), which ups Eminem’s career total of weeks at No. 1 to 35. He’s just one week short of tying Drake for the most weeks on top by a hip-hop artist (36).
Eminem could tie Drake’s record as early as next week, though his last three No. 1 albums spent just a single week on top. Eminem’s last album to log two or more weeks on top was The Marshall Mathers LP 2 in 2013.
Taylor Swift’s The Tortured Poets Department drops from No. 1, where it ranked the last 12 weeks, to No. 4. Swift has logged 81 weeks at No. 1, which makes her the solo artist with the most weeks on top in the chart’s history. Swift’s strong showing is impressive when you consider that the Billboard 200 dates back to March 1956, more than 33 years before she was born.
The Beatles continue to lead all artists, with 132 weeks on top between 1964 and 2001.
A few quick notes: While Presley’s feats on the Billboard Hot 100 are shortchanged by the fact that his breakthrough in 1956 pre-dated the launch of Billboard’s flagship songs chart by more than two years, the Billboard 200 captures Presley’s entire career. His debut album, Elvis Presley, entered the chart at No. 11 in the issue dated March 31, 1956 – which was the chart’s second week.
If you count the Saturday Night Fever soundtrack (which logged 24 weeks at No. 1 in 1978) as a Bee Gees album, the trio had 31 weeks on top. Bee Gees had six tracks on the album — five of which were No. 1 hits on the Hot 100. But Billboard counts it as a multi-artist soundtrack album.
Morgan Wallen may be the next artist to top the Billboard 200 for 30 total weeks. He has logged 29 weeks at No. 1 so far, thanks to the combined strength of Dangerous: The Double Album (10 weeks on top) and One Thing at a Time (19 weeks).
Here’s a look at all acts with 30 or more weeks at No. 1 on the Billboard 200 since March 24, 1956, when the chart began publishing on a consistent weekly basis. Ties are shown in alphabetical order.
