Just weeks after making an unlikely U.S. chart debut, Sophie Ellis-Bextor is taking her show on the road for a first-ever headline tour of North America.
The British pop star sets a seven-date stretch, starting March 30 at San Francisco’s August Hall, followed by dates in San Diego, CA; Washington, DC, Boston, MA; Philadelphia, PA; New York, NY; and wrapping June 8 at Danforth Music Hall in Toronto, ON.
The New York show at Webster Hall “sold out in a day,” she writes on social media. “My band and I are coming for you! Super excited. Come and dance with me.”
Ellis-Bextor is, of course, flying high with her 2001 hit “Murder on the Dancefloor,” which is synced to the final sequence in the hit dark drama Saltburn.
The scene, in which the film’s lead Barry Keoghan dances nude to the song, kicked off a dance trend on TikTok – and saw the song power into charts around the world.
Last month, “Murder” cracked the Billboard Hot 100 for the first time, at No. 98, then lifted to No. 51, its new peak.
In her homeland, “Murder” recently returned to its all-time peak position of No. 2 on the Official U.K. Singles Chart, and is one of her six top 10 hits there. She also boasts a No. 1 hit as the uncredited singer on Spiller’s 2000’s release “Groovejet (If This Ain’t Love)”. The track has also reentered the top 10 on Australia’s ARIA Chart.
“It actually feels really magical, and if I’m honest, I don’t think I’ve completely processed it really,” Ellis-Bextor told the BBC following the revival for “Murder”. “It’s a song I’ve been singing for over 20 years. I still love singing it. I love the way people react when I do it live. But for new people to be discovering it, for it to be making new memories with people, is kind of beautiful.”
Ahead of her North America jaunt, Ellis-Bextor has strutted her stuff on national TV, performing the song on The Tonight Show Starring Jimmy Fallon and for the BBC’s coverage of the BAFTAs.
The English artist kicks off a tour of Continental Europe next month, starting in Groningen, Netherlands on March 1. More concerts are locked in across the U.K. and Europe later in the year.
