When referencing the “Migration” tour that has endured for numerous years, in Chen Li’s memories, the prelude to each performance holds unforgettable moments. “I will stand behind two large screens awaiting the opening, and then I will witness red and green lights flashing before me. Despite the mere presence of cold iron frames surrounding the stage, for some inexplicable reason, being in that environment makes me feel remarkably familiar and secure.”
In ancient times, the entrances on both sides of the stage were known as the Tiger Gate. Once the performer steps through the Tiger Gate, regardless of what unfolds on or off the stage, The Show Must Go On. The flickering lights witnessed before the commencement of the concert evoke in Chen Li memories of “the first thing I saw when I was born.” Through the screen, she can even discern the cheers and encouragement from the front row audience, meters away. Every upcoming performance is like a newborn baby coming into the world, everything is like an unknown “migration.” Therefore, every time Chen Li steps through the Tiger Gate, the feeling is both nervous and brand new.
In relation to the “Migration” concert, Chen Li once expressed: “I hope those blue nights can provide enduring tenderness for us in the future.” She likes to use different colors to commemorate the emotions evoked in every moment, and the “Migration” associated with fish, naturally, is blue. As the various stages in the life cycle of fish progress, migration is the consequence of the fish’s adaptation to changes in the external environment. From 2019 to 2024, Chen Li has held 17 “Migration” tours. For her, “Migration” is not just a simple concert; it records the process of her growth as a singer.
Unique Creation Styles to “Prevent Addiction”
One of Chen Li’s album was named “Fang Chen Mi,” which means “Prevent Addiction” in Chinese. In fact, this highly smooth conceptual record makes it very easy for listeners to become addicted to it. Rather than fostering an addiction to the online realm, the album aims to immerse its audience in the offline world. To promote this vision, Chen Li’s team organized a physical album photo event, encouraging recipients of the CD to unleash their creativity and share imaginative photos with one another.
The absence of an official introduction for “Fang Chen Mi” stands out in the Chinese music industry, where extensive album introductions are the norm. This departure may carry a deeper, more creative significance. Despite receiving over ten versions of album introductions, Chen Li still believes that the most fitting introduction for “Fang Chen Mi” is no introduction at all. “Just listen to the songs, there’s no need for anything fancy. If you like it, sing along a few lines. If everyone has similar experiences as those in the songs, feel free to interpret them.”
The promotion methods for “Fang Chen Mi” are also unconventional. In the current era of digital music, “Fang Chen Mi” instead chose to release the physical CD version first, with the online platform release following after a period of time (partly due to copyright reasons). If listeners want to hear the entire album as soon as possible, they must purchase the physical album, evoking a nostalgic sensation reminiscent of using a Discman to listen to music in the 1990s, and thus achieving a substantial physical sales volume.
This year, Chen Li will unveil her ninth album. The new project has already recorded three songs, with all lyrics penned by a good friend with whom she has never previously collaborated in music. Chen Li describes the lyrical style as “a bit more serious,” while the melodies continue to reflect her personal taste.
Finding the Balance in Leisure
Currently, Chen Li lives in Hangzhou for the majority of time, occasionally returning to Beijing for brief stays. Unlike the bustling work environment in Beijing, in Hangzhou, Chen Li wholly embraces a “slowed down” way of life: “It is merely because the strolling environment in Hangzhou is somewhat superior. In Beijing, I have a group of old friends who care for each other like family. I simply desire to venture out independently, to a place with fewer friends, and seek tranquility, to ascertain if I can acclimate.”
On Chen Li’s Weibo account, her life in Hangzhou is vivid: the coffee shops she adores, the handicrafts she enjoys creating, the line drawings she loves to produce… Chen Li genuinely relishes this leisurely and refined lifestyle. “Many of my small hobbies can be fully realized in Hangzhou. The pace of life here is slower, and I have ample time and space to engage in numerous ‘unproductive’ activities, thus I live quite comfortably. You cannot contrive a specific life for the purpose of creation; life itself is the purpose.”
The simple sketches that appear in the physical album of “Prevent Addiction” are an authentic reflection of Chen Li’s life in Hangzhou: “Drawing is a ‘little corner’ that I particularly cherish. Drawing makes me lost in time, continuously observe and contemplate, including the precious lines and colors conjured from blank.”
“Every day, people have different desires, and I think the key is finding a balance. Sometimes you like this, sometimes like that, eat when hungry, take a nap when sleepy, get up and play when awake, these are all very simple truths.” Everything should just go with the flow. As long as one approaches life with a “playful” attitude, one can find their own balance.
–This article was written by Jifan Wang for Billboard China
