That’s right, the year of beef is still raging on. Just as they did a few weeks ago with their Billboard 200-topping We Don’t Trust You album, Future and Metro Boomin set the tone for the weekend in hip-hop and R&B with a sprawling collection of new collaborations that include a few more shots at a fellow named Drake — or “BBL Drizzy,” if you’re Rick Ross.
Alongside We Still Don’t Trust You — 2024’s second joint album from Future and Metro — a pair of diss tracks from Drizzy and Rozay titled “Push Ups” and “Champagne Moments,” respectively. Both songs were worthy additions to the ongoing back-and-forth between Drake and Future & Metro, which came to a head with the Billboard Hot 100-topping, Kendrick Lamar-assisted “Like That.” In other beef-related news, J. Cole made good on his promise to remove “7 Minute Drill,” his response to Lamar’s “Like That” verse, from streaming services, and Uma Thurman offered up her Kill Bill jumpsuit for Drake to truly get battle-ready.
As we await Kung Fu Kenny’s response, let’s parse through this week’s new drops. With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from the latest preview of PARTYNEXTDOOR’s upcoming album to Maiya the Don‘s funky come-hither pop-rap banger. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Jean Deaux feat. Destin Conrad, “Thinkin”
Taken from her Nowhere, Fast EP, Jean Deaux’s new Destin Conrad duet, “Thinkin’,” is a gorgeous slice of slinky, sultry R&B. “Thinkin’, thinkin’, thinkin’, thinkin’/ But if it wine, how your touch gon’ feel with mine?/ I been/ Drinkin,’ thinkin’/ I’m reminded, we’ll never know if we don’t try,” she croons over ethereal guitars and synths. As he does with essentially every duet he partakes in, Destin Conrad brings a lovely, idiosyncratic dimension to the track, providing a warm vocal complement to Deaux. The atmospheric energy of the record helps bring to life the intimacy-sourced escapism the pair croon about across Lido’s production.
Kalan.FrFr, “Everybody”
LA rapper Kalan.FrFr delivers a sneak attack of an anthem built on a Bankroll Got It production that’s infused with trademark West Coast bounce. “Everybody got a homie that’s a Blood/ Got a homie that’s a Crip/ Got a homie that’s a b–ch/ Got a homie that’s a pimp/ Got a homie that’s a trick/ Got a homie that whip p—y/ Got a homie p—y whipped,” he spits with a flow that’s as laid-back as it is tongue-in-cheek. Outside of how catchy the track is, “Everybody” is an unlikely ode to how much we all have in common — even if those commonalities are the nefarious activities our homies may or may not be getting up to.
BBG Steppaa, “Bisexual Glock”
“Glock is bisexual, aim at women too / Niggas told, what you mean what your friend do? / It’s up with the whole town, beefin’ with kin too,” snarls Newark drill rapper BBG Steppaa on “Bisexual Glock,” his provacative new single. While the message is hardly one that should be endorsed, the new track — which features production contributions from AyyoLucas, Spaceman and EMRLD — finds Steppaa proclaiming his ruthlessness when it comes to protecting himself and those most loyal to him. The contrast of the high-drama string-laden embellishments juxtaposed against the drill snares make for a perfectly high-octane listening experience.
PARTYNEXTDOOR, “Lose My Mind”
Now that dust has settled around PND’s NSFW new album cover, it’s time to get back to the music. For the latest taste of his fothcoming project, Party builds on a sample fo DMX’s classic “Party Up (Up In Here).” In fact, the entire hook is repurposed from that of DMX’s original, with Party providing the lead-in line — “Y’all gon’ make me lose my mind” — as he sings about the borderline tragic allure of beautiful women. The murky trap&B balladry that grounds the track is also quite reminiscent of classic PND.
Maiya the Don, “Mean It”
“Show me that you need it, that you need it/ Say it like you mean it, like you mean it,” Maiya challenegs a potential lover on “Mean It.” The Bankroll Got It-helmed track banks heavily on the rising New York rapper’s seductive edge, with her gruff tone evolving into something particulalry inviting against the funky left-of-pop/rock production. Showing no signs of slowing down after blowing up with “Telfy” and “Dusties” over the past two years, “Mean It” could turn into a nice spring hit for Maiya the Don.
Future & Metro Boomin feat. The Weeknd, “All to Myself”
Metro turns the clock back a few decades with some vintage babymaking R&B production to set the candle-lit scene. Motown Future continues his Future Vandross evolution entering his lover era. The Weeknd and his falsetto make another appearance. However, his dulcet assist is soured by speculation he was adding to the flavor of the month, dissing Drake. “They could never diss my brothers, baby/ When they got leaks in they operation/ I thank God that I never signed my life away/ And we never do the big talk/ They shoot us, makin’ TikToks,” he sings.
Tinashe, “Nasty”
Tinashe leans into her Nasty Nashe alter-ego for her sultry new single. The R&B singer-songwriter’s robotic hook casts a hypnotic spell on listeners and will have them repeating after her within seconds. Nashe has been known to dabble in painting in the studio while recording and she paints an evocative picture with her sensual second verse depicting a perfect date night. “Shotgun, my thighs on his seat/ I ain’t got nothing underneath/ Looks like you’re ’bout to spend the night/ Freak side, I’m ’bout to change your life,” she promises. 2024 is slated to be a busy campaign for Tinashe with “Nasty” serving as the lead single heading into her BB/ANG3L PT. 2 – QUANTUM BABY project.
Key Glock & Young Dolph, “Let’s Go (Remix)”
Key Glock is one of rap’s reclusive stars, so when he reveals a collaboration is on the horizon, fans’ ears perk up. With the “Let’s Go” remix, Glizzock surprised the Paper Route Empire family with a posthumous appearance from his mentor Young Dolph. Dolph’s verse fit like a glove over the trunk-rattling production so well that fans thought it was AI-generated, a theory that Glock quickly put to rest. His braggadocios assist embodied everything that people loved about the Memphis rapper – brimming with boisterous boss talk and a peek into his raunchy romantic ways. A fitting tribute to one of rap’s voices gone way too soon. RIP Young Dolph.
