Artificial Intelligence is one of the buzziest — and most rapidly changing — areas of the music business today. A year after the fake-Drake song signaled the technology’s potential applications (and dangers), industry lobbyists on Capitol Hill, like RIAA’s Tom Clees, are working to create guard rails to protect musicians — and maybe even get them paid.
Meanwhile, entrepreneurs like Soundful’s Diaa El All and BandLab’s Meng Ru Kuok (who oversees the platform as founder and CEO of its parent company, Caldecott Music Group) are showing naysayers that AI can enhance human creativity rather than just replacing it. Technology and policy experts alike have promoted the use of ethical training data and partnered with groups like Fairly Trained and the Human Artistry Coalition to set a positive example for other entrants into the AI realm.
What is your biggest career moment with AI?
Diaa El All: I’m proud of starting our product Soundful Collabs. We found a way to do it with the artists’ participation in an ethical way and that we’re not infringing on any of their actual copyrighted music. With Collabs, we make custom AI models that understand someone’s production techniques and allow fans to create beats inspired by those techniques.
Meng Ru Kuok: Being the first creation platform to support the Human Artistry Coalition was a meaningful one. We put our necks out there as a tech company where people would expect us to actually be against regulation of AI. We don’t think of ourselves as a tech company. We’re a music company that represents and helps creators. Protecting them in the future is so important to us.
Tom Clees: I’ve been extremely proud to see that our ideas are coming through in legislation like the No AI Fraud Act in the House [and] the No Fakes Act in the Senate.
The term “AI” represents all kinds of products and companies. What do you consider the biggest misconception around the technology?
Clees: There are so many people who work on these issues on Capitol Hill who have only ever been told that it’s impossible to train these AI platforms and do it while respecting copyright and doing it fairly, or that it couldn’t ever work at scale. (To El All and Kuok.) A lot of them don’t know enough about what you guys are doing in AI. We need to get [you both] to Washington now.
Kuok: One of the misconceptions that I educate [others about] the most, which is counterintuitive to the AI conversation, is that AI is the only way to empower people. AI is going to have a fundamental impact, but we’re taking for granted that people have access to laptops, to studio equipment, to afford guitars — but most places in the world, that isn’t the case. There are billions of people who still don’t have access to making music.
El All: A lot of companies say, “It can’t be done that way.” But there is a way to make technological advancement while protecting the artists’ rights. Meng has done it, we’ve done it, there’s a bunch of other platforms who have, too. AI is a solution, but not for everything. It’s supposed to be the human plus the technology that equals the outcome. We’re here to augment human creativity and give you another tool for your toolbox.
What predictions do you have for the future of AI and music?
Clees: I see a world where so many more people are becoming creators. They are empowered by the technologies that you guys have created. I see the relationship between the artist and fan becoming so much more collaborative.
Kuok: I’m very optimistic that everything’s going to be OK, despite obviously the need for daily pessimism to [inspire the] push for the right regulation and policy around AI. I do believe that there’s going to be even better music made in the future because you’re empowering people who didn’t necessarily have some functionality or tools. In a world where there’s so much distribution and so much content, it enhances the need for differentiation more, so that people will actually stand up and rise to the top or get even better at what they do. It’s a more competitive environment, which is scary … but I think you’re going to see successful musicians from every corner of the world.
El All: I predict that AI tools will help bring fans closer to the artists and producers they look up to. It will give accessibility to more people to be creative. If we give them access to more tools like Soundful and BandLab and protect them also, we could create a completely new creative generation.
This story will appear in the June 1, 2024, issue of Billboard.
