New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.
Christian Alicea, “Hello, What’s Up” (Therapist Music/Rimas Entertainment)
Christian Alicea kicks off new career chapter with a saucy salsa track called “Hello, What’s Up,” produced by DJ Buddha and Elliot. Marking his debut single under his new signing with Rimas Entertainment, the Puerto Rican artist delivers an infectious tropical tune with percussion, trombones, trumpets, and more, while his flirty vocals sing about a guy who’s trying to impress a girl with his English-speaking skills. “The girl I’m getting to know has me in love/ But she only speaks English and that’s the bad thing/ I became friends with the translator, but he’s tired/ Because every time I talk to her, I both him,” Alicea chants in the bilingual tune that perfectly captures his playful personality. — JESSICA ROIZ
Arthur Hanlon & Ángela Aguilar, “Bala Perdida” (Sony Music Latin)
Arthur Hanlon and Ángela Aguilar gave us a taste of the magic they create together when they joined forces at the 2024 Billboard Latin Women in Music, where Aguilar sang her father’s “Me Vas a Extrañar” with Hanlon on piano. Now, the two team up once again for “Bala Perdida,” a heart-wrenching huapango full of soul and intensity, further powered by Aguilar’s ethereal vocals and Hanlon’s poignant piano. “From the moment I wrote this song, I could only hear it in Ángela’s voice,” Hanlon said in a statement. “No one else could bring it to life the way she does.” “Bala Perdida” — which Aguilar and Hanlon debuted on television during Premio Lo Nuestro 2025 on Feb. 20 — is the third single from the pianist’s upcoming album, a collection of original collaborations set for release in April. — GRISELDA FLORES
Ana Tijoux, “Serpiente de Madera” (Victoria Producciones SpA)
As the Chinese lunar calendar turned to the Year of the Serpent on Jan. 29, Ana Tijoux’s “Serpiente de Madera” unfolds with zodiacal symbolism intertwined with her origins — bringing to mind her breakout hit “1977,” also the year she was born under. The track — one of two from her new EP of the same name — illustrates her connection to the snake sign through the spoken word-like elegance over subtle panflute melodies and understated synths, by producers Eduardo Herrera and Tony Ramírez. Elegantly orating about universal vastness and human connection, the Chilean/French rapper’s delivery melds poetic prose with grace. She articulates, “Mirando galaxias con ojos pequeños, un telescopio en el cuerpo/ ese abrazo que eleva, ese que tiene magia,” finding potent expression in renewal. It captivates with its lyrical depth and fluidity, resulting in a piece that’s not just heard but felt. — ISABELA RAYGOZA
Morat, “Cuarto de Hotel” (Universal Music Spain)
With a piano tune reminiscent of the rock ballads of the ’80s and ’90s, Morat’s “Cuarto de Hotel” is an evocative song about a love that is difficult to forget. “Who put you under my pillow? Who kept you under my skin? You always arrive out of nowhere if I’m alone in a hotel,” the band sings in part of the lyrics. Driven by synthesizers, sweeping guitars and timbales-laden drums, the tempo of the song accelerates after the first chorus to offer the characteristic pop sound of the Colombian group, before returning to the piano that we hear in the beginning in a full-circle moment. “Cuarto de Hotel” is the main single of the Spanish film El Secreto del Orfebre (The Goldsmith’s Secret), an adaptation of the novel of the same name by Elia Barceló directed by Olga Osorio that premieres Feb. 28 in Spain. — SIGAL RATNER-ARIAS
Check out more Latin recommendations this week below:
