Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
This week, Miley Cyrus finds new pop beauty, Lorde upends expectations and Tate McRae revs up for F1. Check out all of this week’s picks below:
Miley Cyrus, Something Beautiful
Drawing upon classic pop influences while also letting her freak flag fly, Miley Cyrus offers a singular accomplishment on Something Beautiful — moving on from 2023’s Endless Summer Vacation, which included the biggest hit of her career in “Flowers,” with her most satisfying front-to-back listen to date, unbothered with trying to recreate radio success but still finding revealing hooks along the way.
Lorde, “Man of the Year”
In the past, Lorde has liked to preview a new album with an uptempo lead single and a ballad-leaning follow-up — think Melodrama with “Green Light” and “Liability,” or Solar Power with the title track and “Stoned at the Nail Salon” — but “Man of the Year,” which comes after the fleet-footed “What Was That,” is actually a red herring, starting off as a sparse reflection over bass plucks but then widening its stance, and ending with a fuzzed-out boom.
Tate McRae, “Just Keep Watching”
Continuing a year in which she’s leveled up as a pop star — as well as a week where she earned her first career Hot 100 chart-topper, alongside Morgan Wallen on “What I Want” — Tate McRae hops into the F1 soundtrack mobile with “Just Keep Watching,” a fast-moving club track with the type of quick-twitch percussion that could inspire more kinetic choreography if McRae incorporates the song into her live show.
Leon Thomas, MUTT Deluxe: HEEL
“MUTT” may have marked Leon Thomas’ arrival as a compelling new voice in popular R&B, its host album of the same name was just as sumptuous as its standout hit; now, MUTT contains even more acrobatic vocal takes by Thomas on its deluxe edition, which includes team-ups with Kehlani and Big Sean, as well as engrossing new solo cuts like “HEEL” and “NOT FAIR.”
Mt. Joy, Hope We Have Fun
The 2020s have seen indie rock quintet Mt. Joy continuously graduate to bigger touring venues, culminating in a Madison Square Garden headlining gig on their last live trek — and instead of simply acting as another excuse for the group to hit the road, new album Hope We Have Fun translates the band’s live energy to the studio, with songs like “Highway Queen” and “Pink Lady” jangling forward with blissed-out style.
Clipse, “Ace Trumpets”
In the 2000s, Virginia hip-hop duo Clipse would regularly release Pharrell Williams-produced bangers that made their listeners scrunch up their noses in delight; then, Malice quit music to explore religion, and his brother Pusha T moved on to solo stardom. Now, Clipse (and Pharrell) are back, recapturing the magic on “Ace Trumpets,” the head-knocking first track from long-awaited new album, Let God Sort Em Out.
Ava Max, “Lovin Myself”
Across pop hits like “Sweet But Psycho,” “My Head & My Heart” and “Kings & Queens,” Ava Max has prioritized electro-pop fun while offering a streak of self-empowerment; new single “Lovin Myself” doubles down on the second half of that equation, with the singer declaring, “I don’t need nobody, I’m lovin’ myself!” as warm synths rain down on her voice.
Editor’s Pick: Yeule, Evangelic Girl is a Gun
If Yeule’s 2022 album Glitch Princess was their critical breakthrough, Evangelic Girl is a Gun is the first time we receive a full glimpse of the daring singer-songwriter: the hyperpop from years past has morphed into trip-hop, alt-rock and affecting balladry, but across the most vulnerable lyricism of Yeule’s career, they still toss out mesmerizing pop ideas, as their song craft serves as a foundation for their roaming spirit.
